Projection Screens: Stewart Filmscreen

Stewart Filmscreen

Professional Screens For Residential Environments

Stewert Filmscreen Cabaret ScreenFrom their website:
People who know motion pictures prefer Stewart projection screens because they want to enjoy the best possible picture—vibrant color, sharp contrast, and rich detail.

In fact, filmmakers have long relied on Stewart screens in the making of their films—in special effects creation as well as in the editing and production processes. Studio screening rooms and film production houses around the globe trust Stewart screen quality to such an extent that it is the industry standard reference material for color balance, details, and textures.

Filmmakers know that the secret to achieving the best possible image is to use the very best screen—an Academy Award®-winning Stewart projection screen. Even the home of Oscars®, the state-of-the-art Kodak Theater in Hollywood, uses Stewart screens. Your screen is manufactured in the same way, by the same craftsmen, as the screens used by people who really know how a film should look.

Superior quality control
Stewart achieves consistent top-of-the-line quality by controlling all critical steps in the screen production process. If you were to visit our facility, you would see something very unusual. We make the screen fabric from raw materials; we do not buy it ready-made. We manufacturer each screen to fit your exact need. Each product is inspected carefully every step of the way, and then packaged with extreme care for delivery. Our team of craftsman are well-trained, experienced, and know quality from start to finish.

Exceptional Credentials
The team building your screen is made up of the same craftsman who are building screens for Mission Control (NASA), flight simulators, AMC theaters, “Circle vision” for Disney’s EPCOT Center, Disney California Adventure, special effect screens for Lucasfilm, and more. Only Stewart Filmscreen has the capabilities to build custom projection screen products for these unique projects.
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